12 YEARS A SLAVE BEST PICTURE

http://www.bbc.com/news/entertainment-arts-26412872

IN THE GUARDIAN : (January 10, 2014)

12 Years a Slave: the book behind the film

The woman behind the rediscovery of the book

   Lien vers la page de ce blog consacrée à Twelve years a Slave

Related link on this blog : Awesome Stories

SUR EMILANGUES:

Activités sur la cérémonie des Oscars :

http://www.emilangues.education.fr/taxonomy/term/29

DOSSIER

http://curriculumproject.org/wp-content/uploads/Bend%20it%20like%20Beckham.pdf

http://www.theguardian.com/childrens-books-site/audio/2014/feb/19/charlie-chocolate-factory-dahl-podcast

MP3

Teachers' corner:

http://pedagogie.ac-toulouse.fr/langues-vivantes/spip.php?article177

http://charlie227.weebly.com/the-original.html

PENGUIN READERS

http://www.myebooksearch.com/?s=charlie+and+the+chocolate+factory

http://englishacademy.voila.net/films.htm

http://www.theguardian.com/childrens-books-site/audio/2014/feb/19/charlie-chocolate-factory-dahl-podcast

MP3

MORE (teachers' corner)

http://myschoolbag.eklablog.com/charlie-and-the-chocolate-factory-p748460

A great file on Frankenstein

http://www.awesomestories.com/asset/view/Frankenstein-The-Monster-Lives0

http://www.awesomestories.com/asset/view/Frankenstein-The-Monster-Speaks0

http://www.awesomestories.com/asset/view/Frankenstein-The-Monster-Understands-His-Fate0

Prayer before Birth by Louis Mc Neice

Prayer before Birth

I am not yet born; O hear me.
Let not the bloodsucking bat or the rat or the stoat or the
     club-footed ghoul come near me.

I am not yet born, console me.
I fear that the human race may with tall walls wall me,
     with strong drugs dope me, with wise lies lure me,
        on black racks rack me, in blood-baths roll me.

I am not yet born; provide me
With water to dandle me, grass to grow for me, trees to talk
     to me, sky to sing to me, birds and a white light
        in the back of my mind to guide me.

I am not yet born; forgive me
For the sins that in me the world shall commit, my words
     when they speak me, my thoughts when they think me,
        my treason engendered by traitors beyond me,
           my life when they murder by means of my
              hands, my death when they live me.

I am not yet born; rehearse me
In the parts I must play and the cues I must take when
     old men lecture me, bureaucrats hector me, mountains
        frown at me, lovers laugh at me, the white
            waves call me to folly and the desert calls
              me to doom and the beggar refuses
                 my gift and my children curse me.

I am not yet born; O hear me,
Let not the man who is beast or who thinks he is God
     come near me.

I am not yet born; O fill me
With strength against those who would freeze my
     humanity, would dragoon me into a lethal automaton,
        would make me a cog in a machine, a thing with
           one face, a thing, and against all those
              who would dissipate my entirety, would
                 blow me like thistledown hither and
                    thither or hither and thither
                       like water held in the
                          hands would spill me.

Let them not make me a stone and let them not spill me.
Otherwise kill me.

http://www.bbc.co.uk/schools/gcsebitesize/english_literature/poetry_wjec/relationships/prayerbeforebirth/revision/1/

http://litxpert.wordpress.com/2011/12/02/analysis-prayer-before-birth-louis-mcneice-2/

Other links:

http://en.wikipedia.org/wiki/Louis_MacNeice  

http://www.bbc.co.uk/northernireland/learninggetwritingniwh_macneice.shtml  

BBC News: The woman behind the rediscovery of 12 Years a Slave

http://www.bbc.com/news/magazine-26344745

BAFTA AWARDS

http://www.aljazeera.com/news/europe/2014/02/top-british-film-award-12-years-slave-20142171551173979.html
 

12 Years a Slave: Who was Solomon Northup?

http://www.bbc.co.uk/news/entertainment-arts-25589598

Solomon Northup as he appears in the original book and Chiwitel Ejiofor, who has been much-praised in the lead role of the film

On PBS : http://video.pbs.org/video/2365102334/

 A VERY INTERESTING  VIDEO REVIEW OF THE MOVIE HERE (FIRST 7 MINUTES)

Three reviewers give their opinions. A good exercise in class.

lien vers le script du film

THE NEW YORK TIMES:

http://www.nytimes.com/2013/10/18/movies/12-years-a-slave-holds-nothing-back-in-show-of-suffering.html?_r=0

About the relation between book and film

http://opinionator.blogs.nytimes.com/2013/11/06/the-passion-of-solomon-northup/?ref=slavery

printable version:

 RESOURCES on slavery

Scholastic:

http://teacher.scholastic.com/activities/bhistory/underground_railroad/plantation.htm

PBS:

http://www.pbs.org/wnet/slavery/resources/index.html

Un site plein de "lesson plans" et de travaux d'enseignants, powerpoints, worksheets, etc...

http://www.blackhistory4schools.com/slavetrade/

Excellent site interactif de la BBC, parfait pour distribuer des tâches différentes en partant de la même source

http://www.bbc.co.uk/history/british/abolition/launch_anim_slavery.shtml

The Guardian

http://www.theguardian.com/education/2012/aug/20/how-to-teach-modern-slavery-resources

Ressources du New York Times  (for teachers)

http://learning.blogs.nytimes.com/2013/10/22/text-to-text-twelve-years-a-slave-and-an-escape-that-has-long-intrigued-historians/#more-138616

October 22, 2013, 4:29 pm  

Text to Text | ‘Twelve Years a Slave,’ and ‘An Escape That Has Long Intrigued Historians’

Jaap Buitendijk/Fox Searchlight Pictures Benedict Cumberbatch, left, as William Ford, and Chiwetel Ejiofor as Solomon Northup, in the film “12 Years a Slave.” Go to Related Article »

American History

Teaching ideas based on New York Times content.

• See all in American History »
• See all lesson plans »

Last month we introduced our new Text to Text series, which matches Times content with excerpts from often-taught literary, cultural, historical or scientific material. Read more about the format, and consider submitting an idea.

This past weekend the film “12 Years a Slave,” based on the 1853 slave narrative of the same name, opened in theaters, and so we chose to pair an excerpt from the original text by Solomon Northup with a recent Times article that discusses Mr. Northup’s narrative in the context of the antislavery literary genre.

Background: Solomon Northup was a free black man living in Saratoga Springs, N.Y. in 1841, when he was coaxed by “two gentlemen of respectable appearance” to travel to Washington, D.C. for employment. While there, he was beaten and sold into slavery, with his captors claiming he was a fugitive slave. He spent twelve years in bondage with three different masters in Louisiana before he was finally rescued — a feat which involved secretly smuggling a letter to his family and enlisting the help of the New York governor.

In her film review, Manohla Dargis writes about what makes Mr. Northup’s book, which he published in 1853 after regaining his freedom, such a remarkable historical document:

Unlike most of the enslaved people whose fate he shared for a dozen years, the real Northup was born into freedom…. That made him an exceptional historical witness, because even while he was inside slavery — physically, psychologically, emotionally — part of him remained intellectually and culturally at a remove, which gives his book a powerful double perspective.

We selected an excerpt from Chapter III, so students can plunge into the heart of the action with Mr. Northup’s first experience of being a slave.

Key Question: What does Solomon Northup’s narrative, as part of a larger genre of antislavery literature, reveal about the institution of slavery?

Activity Sheets: As students read and discuss, they might take notes using these graphic organizers (PDFs) we have created for our Text to Text feature:

• Comparing Two or More Texts
• Double-Entry Chart for Close Reading
• Document Analysis Questions

  Illustration from Twelve Years a Slave (1855)

Excerpt 1: From Chapter III of “Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New-York, Kidnapped in Washington City in 1841 and Rescued in 1853, From a Cotton Plantation Near the Red River in Louisiana” by Solomon Northup

“Well, my boy, how do you feel now?” said Burch, as he entered through the open door. I replied that I was sick, and inquired the cause of my imprisonment. He answered that I was his slave — that he had bought me, and that he was about to send me to New-Orleans. I asserted, aloud and boldly, that I was a freeman — a resident of Saratoga, where I had a wife and children, who were also free, and that my name was Northup. I complained bitterly of the strange treatment I had received, and threatened, upon my liberation, to have satisfaction for the wrong. He denied that I was free, and with an emphatic oath, declared that I came from Georgia. Again and again I asserted I was no man’s slave, and insisted upon his taking off my chains at once. He endeavored to hush me, as if he feared my voice would be overheard. But I would not be silent, and denounced the authors of my imprisonment, whoever they might be, as unmitigated villains. Finding he could not quiet me, he flew into a towering passion. With blasphemous oaths, he called me a black liar, a runaway from Georgia, and every other profane and vulgar epithet that the most indecent fancy could conceive.

During this time Radburn was standing silently by. His business was, to oversee this human, or rather inhuman stable, receiving slaves, feeding, and whipping them, at the rate of two shillings a head per day. Turning to him, Burch ordered the paddle and cat-o’-ninetails to be brought in. He disappeared, and in a few moments returned with these instruments of torture. The paddle, as it is termed in slave-beating parlance, or at least the one with which I first became acquainted, and of which I now speak, was a piece of hardwood board, eighteen or twenty inches long, molded to the shape of an old-fashioned pudding stick, or ordinary oar The flattened portion, which was about the size in circumference of two open hands, was bored with a small auger in numerous places. The cat was a large rope of many strands — the strands unraveled, and a knot tied at the extremity of each.

As soon as these formidable whips appeared, I was seized by both of them, and roughly divested of my clothing. My feet, as has been stated, were fastened to the floor. Drawing me over the bench, face downward, Radburn placed his heavy foot upon the fetters, between my wrists, holding them painfully to the floor. With the paddle, Burch commenced beating me. Blow after blow was inflicted upon my naked body. When his unrelenting arm grew tired, he stopped and asked if I still insisted I was a free man. I did insist upon it, and then the blows were renewed, faster and more energetically, if possible, than before. When again tired, he would repeat the same question, and receiving the same answer, continue his cruel labor. All this time, the incarnate devil was uttering most fiendish oaths. At length the paddle broke, leaving the useless handle in his hand. Still I would not yield. All his brutal blows could not force from my lips the foul lie that I was a slave. Casting madly on the floor the handle of the broken paddle, he seized the rope. This was far more painful than the other. I struggled with all my power, but it was in vain. I prayed for mercy, but my prayer was only answered with imprecations and with stripes. I thought I must die beneath the lashes of the accursed brute. Even now the flesh crawls upon my bones, as I recall the scene. I was all on fire. My sufferings I can compare to nothing else than the burning agonies of hell!

At last I became silent to his repeated questions. I would make no reply. In fact, I was becoming almost unable to speak. Still he plied the lash without stint upon my poor body, until it seemed that the lacerated flesh was stripped from my bones at every stroke. A man with a particle of mercy in his soul would not have beaten even a dog so cruelly. At length Radburn said that it was useless to whip me any more — that I would be sore enough. Thereupon Burch desisted, saying, with an admonitory shake of his fist in my face, and hissing the words through his firm-set teeth, that if ever I dared to utter again that I was entitled to my freedom, that I had been kidnapped, or any thing whatever of the kind, the castigation I had just received was nothing in comparison with what would follow. He swore that he would either conquer or kill me. With these consolatory words, the fetters were taken from my wrists, my feet still remaining fastened to the ring; the shutter of the little barred window, which had been opened, was again closed, and going out, locking the great door behind them, I was left in darkness as before.

Students can read the entire book on the Documenting the American South Web site at the University of North Carolina.

Excerpt 2: From “An Escape From Slavery, Now a Movie, Has Long Intrigued Historians,” by Michael Cieply

The real Solomon Northup — and years of scholarly research attest to his reality — fought an unsuccessful legal battle against his abductors. But he enjoyed a lasting triumph that began with the sale of some 30,000 copies of his book when it first appeared, and continued with its republication in 1968 by the historians Sue Eakin and Joseph Logsdon….

For decades, however, scholars have been trying to untangle the literal truth of Mr. Northup’s account from the conventions of the antislavery literary genre.

The difficulties are detailed in “The Slave’s Narrative,” a compilation of essays that was published by the Oxford University Press in 1985, and edited by Charles T. Davis and Henry Louis Gates Jr. (Mr. Gates is now credited as a consultant to the film, and he edited a recent edition of “Twelve Years a Slave.”)

“When the abolitionists invited an ex-slave to tell his story of experience in slavery to an antislavery convention, and when they subsequently sponsored the appearance of that story in print, they had certain clear expectations, well understood by themselves and well understood by the ex-slave, too,” wrote one scholar, James Olney.

Mr. Olney was explaining pressures that created a certain uniformity of content in the popular slave narratives, with recurring themes that involved insistence on sometimes questioned personal identity, harrowing descriptions of oppression, and open advocacy for the abolitionist cause.

In his essay, called “I Was Born: Slave Narratives, Their Status as Autobiography and as Literature,” Mr. Olney contended that Solomon Northup’s real voice was usurped by David Wilson, the white “amanuensis” to whom he dictated his tale, and who gave the book a preface in the same florid style that informs the memoir.

“We may think it pretty fine writing and awfully literary, but the fine writer is clearly David Wilson rather than Solomon Northup,” Mr. Olney wrote.

In another essay from the 1985 collection, titled “I Rose and Found My Voice: Narration, Authentication, and Authorial Control in Four Slave Narratives,” Robert Burns Stepto, a professor at Yale, detected textual evidence — assurances, disclaimers and such — that Solomon Northup expected some to doubt his story.

“Clearly, Northup felt that the authenticity of his tale would not be taken for granted, and that, on a certain peculiar but familiar level enforced by rituals along the color line, his narrative would be viewed as a fiction competing with other fictions,” wrote Mr. Stepto.

For Writing or Discussion

1. What does the excerpt from “Twelve Years a Slave” reveal about the institution of slavery? Cite evidence from the text to support your ideas.
2. How does Mr. Northup’s perspective as a free man who was kidnapped and sold into slavery make him an “exceptional historical witness,” in the words of Manohla Dargis, a Times film critic? Use evidence from the excerpt to back up your answer.
3. What questions does The Times article (Text 2) raise about the entire genre of antislavery literature, and about “Twelve Years a Slave” in particular? What answers does the article suggest? Be sure to support your answer with textual evidence.
4. How can all “true” stories get twisted by time, literary embellishment or the flaws of memory? How do we know when, and how much, to trust a historical source?

Going Further

1. The director Steve McQueen provides commentary on a clip from his film “12 Years a Slave” in “The Anatomy of a Scene.” Have students watch the clip, then discuss the following questions:

• What happens in this scene?
• What does this short scene show about the relationship between slave and slave master?
• Why does Mr. McQueen choose to portray the scene in this way?

2. Watch the full movie “12 Years a Slave,” then read Manohla Dargis’s film review. Ask students to identify three or more assertions that Ms. Dargis makes about the film, and decide whether they agree with her points or not. For example, Ms. Dargis takes the following position:

In large part, “12 Years a Slave” is an argument about American slavery that, in image after image, both reveals it as a system (signified in one scene by the sights and ominous, mechanical sounds of a boat water wheel) and demolishes its canards, myths and cherished symbols. There are no lovable masters here or cheerful slaves. There are also no messages, wagging fingers or final-act summations or sermons. Mr. McQueen’s method is more effective and subversive because of its primarily old-fashioned, Hollywood-style engagement.

Do students agree with Ms. Dargis? What evidence can they find in the film to support their opinion? Then, students can write their own film review — based on three or more of their assertions that they make about the film.

3. Alternatively, if students both read the book and watch the film, they can write an analytical essay comparing the two. In their analysis they can consider:

• How well does the movie stay true to the most important events in the book?
• Does the movie play with time or facts?
• Does it matter whether the filmmakers took liberties if they managed to convey larger truths and start new conversations? Explain.

4. Students can read two or more slave narratives to look for commonalities and differences. A free library of texts is available in the “Slave Narrative Project”. As part of their analysis, they should read the project’s introduction — particularly the sections titled “Literary Contexts for Slave and Ex-Slave Narratives” and “Importance of This Project to the Nation”. Here is an excerpt:

Slave and ex-slave narratives are important not only for what they tell us about African-American history and literature, but also because they reveal to us the complexities of the dialogue between whites and blacks in this country in the last two centuries, particularly for African Americans.

Then, using the slave narratives that they read, students can discuss what these narratives reveal about the institution of slavery, how they reflect the conventions of the antislavery literary genre, and what they show about the dialogue between blacks and whites regarding slavery during antebellum America.

5. Read this Jan. 20, 1853, Times article detailing the kidnapping and rescue of Solomon Northup (misspelled “Northrop” in the article). What does this newspaper story add to our understanding of Mr. Northup’s case?

6. Manohla Dargis opens her film review with the following statement:

“12 Years a Slave” isn’t the first movie about slavery in the United States — but it may be the one that finally makes it impossible for American cinema to continue to sell the ugly lies it’s been hawking for more than a century.

Ask students:

• What movies have you seen about slavery? For example, have you ever watched “Gone With the Wind”? What “lies” is Ms. Dargis referring to?
• Why are films about history important? What responsibility, if any, do they have?

To continue the discussion, students can read the article “Never-Ending Story: ‘Conversation About Race’ Has Not Brought Cultural Consensus” by A.O. Scott. Then they can reflect on the movies and televisions shows they have watched, and consider: What history are they telling about race in America? How are these films and shows contributing to the continuing dialogue?

More Resources:

• “The Tricky Questions Raised by a Complicated Genre: The Slave Narrative” in Slate magazine
• A summary of Solomon Northup’s story, written for students
• “Held Accountable: Connecting Accounts from Slave Narratives to Historical Research”
• “Of Human Bondage: Exploring Depictions of Slavery as Presented in a Variety of Texts”

http://www.theguardian.com/books/audio/2014/jan/03/jane-austen-weldon-trollope-podcast

BBC REVISION BITESIZE on Pride and Prejudice

http://www.bbc.co.uk/bitesize/higher/english/great_gatsby/background/revision/5/

http://www.bbc.co.uk/bitesize/higher/english/great_gatsby/

Sherlock Holmes is the archetypal scientist – brilliant but slightly scary

http://www.theguardian.com/science/blog/2014/jan/01/sherlock-holmes-archetypal-scientist

MYTHS AND HEROES /ESCAPISM /ADAPTING LITERATURE FOR THE SCREEN 

THE SECRET LIFE OF WALTER MITTY :  THE SHORT STORY AND THE MOVIE 

 TEACHING RESOURCES

why now ? Because the film has just been released!

( The first movie was shot in 1947 and Thurber hated it)

1) THE SHORT STORY:

http://comicsgrinder.com/category/james-thurber/

The story told in six pannels ( a tribute)

Read Thurber's original short story online ( The New Yorker Archive):

http://www.newyorker.com/archive/1939/03/18/390318fi_fiction_thurber?currentPage=all

http://bnrg.eecs.berkeley.edu/~randy/mitty.html

The short story can be found in quite a few (old)  textbooks

Listen to an extract (you can also get the full reading for free !)

http://www.usatoday.com/story/life/books/2013/12/19/walter-mitty-listen/4123103/

Walter Mitty read by Orson Welles (internet archive)

Another reading on youtube (a bit clumsy)

OTHER STORIES READ BY PETER USTINOV

THE UNICORN IN THE GARDEN (text)

THE UNICORN IN THE GARDEN (video)

WALTER MITTY  STUDY GUIDES 

http://www.enotes.com/topics/secret-life

http://cummingsstudyguides.net/Guides6/Mitty.html

http://www.bookrags.com/The_Secret_Life_of_Walter_Mitty/

http://www.shmoop.com/walter-mitty/

WALTER MITTY ANALYSIS

http://fr.slideshare.net/kvelasquez91/the-secret-lifee-of-walter-mitty-analysis

A recent  article :

http://www.esquire.com/blogs/culture/real-secret-life-walter-mitty

Another one here:

http://www.todayinliterature.com/stories.asp?Event_Date=3/18/1939

ON NPR : 

http://www.npr.org/templates/story/story.php?storyId=88754469

 A powerpoint :

autres documents : ebookbrowsee.net/the-secret-life-of-walter-mitty

Lesson plans on webenglishteacher.com:

http://www.webenglishteacher.com/thurber.html

Other lesson plans :

http://www.cpalms.org/Public/PreviewResource/Preview/48597

http://www.lessonplanet.com/search?keywords=secret+life+of+walter+mitty

WORKSHEETS

Yvan Baptiste a produit la worksheet suivante :

http://yvanbaptiste.pagesperso-orange.fr/anglrenf/shortstories/mitty.htm

 trouvé ailleurs :

http://skyview.vansd.org/bquestad/mitty/wkstpap.htm

MITTY

http://www.knowledge4africa.com/english/stories/walter-mitty.jsp

"CHEAT SHEET"

http://daniellenglish.wordpress.com/2012/12/17/1295/walter-mitty-worksheets/

Literature

AN INTERACTIVE QUIZ ON QUIA.COM

SHORT STORIES

Escapism:

http://en.wikipedia.org/wiki/Escapism

Daydreaming

5 fascinating things about daydreams (Huffington Post)

http://www.huffingtonpost.com/2013/08/16/daydream-daydreaming-facts_n_3745374.html

ZONING OUT : TO ZONE OUT (like Walter Mitty)

http://fr.urbandictionary.com/define.php?term=zone%20out

2) THE MOVIE

"Have you done anything noteworthy or mentionable?"

Official Site

trailer analysed here :

http://philipsmithg324.blogspot.fr/2013/08/trailer-analysis-secret-life-of-walter.html

http://screenrant.com/secret-life-walter-mitty-movie-2013-trailer-images/

http://imgur.com/a/XrapY

Most famous song :

Dirty paws  (performed by Of monsters and Men)

Analysing movie posters :

http://www.mediaknowall.com/gcse/bbustermovies/movies.php?pageID=posters

https://sites.google.com/site/movieposteranalysis/home

http://www.hollywoodreporter.com/news/secrets-hollywood-s-greatest-movie-188670

http://www.ehow.com: discover the expert in you

 document pdf ici :

REVIEWS

THE NEW YORK TIMES REVIEW:(video)

http://www.nytimes.com/2013/12/25/movies/the-secret-life-of-walter-mitty-stars-ben-stiller.html?_r=0

Another video review :

Other reviews:

http://www.rediff.com/movies/review/review-the-secret-life-of-walter-mitty-is-brilliant/20140103.htm

http://www.rottentomatoes.com/m/the_secret_life_of_walter_mitty_2013/

The Hollywood Reporter

The Australian.com

http://www.belfasttelegraph.co.uk/entertainment/film-tv/reviews/review-the-secret-life-of-walter-mitty-29868976.html

MANY PICURES ON PINTEREST:

http://www.pinterest.com/search/pins/?q=walter%20mitty

This scene from THE TRUMAN SHOW may have inspired Ben Stiller

Possible Final tasks :

write another episode , Walter Mitty as...........

( à la manière de...)

Write a film review: before asking students to do such a difficult exercise, I think the best thing to do is to have them read reviews of several  films they already know regularly ( start in September) !

compare short story and film : give your opinion.

Debate : Walter Mitty, crazy or not?

perform in front of the class

choose one "episode" in the short story and one in the movie, then comment on their differences, etc.. .

Diviser la classe en groupes : Un groupe = 1 épisode : repérage des éléments communs/ les élèves conçoivent une activité pour leurs camarades....

In French :

http://www.commeaucinema.com/notes-de-prod/la-vie-revee-de-walter-mitty-aventure-comedie-dramatique-fantastique,269697

v

The lighter side !

Une série des années 70 dont le héros est un chat : The secret Lives of Waldo Kitty

parodie de Walter Mitty  

BBC NEWS : http://www.bbc.co.uk/news/magazine-25469080

Other episodes of this magazine

http://www.bbc.co.uk/news/magazine-14760626

A GREAT FILE ON

filmeducation: Oliver Twist : teachercentre

Retour sur George Orwell et BBC 4

Toute une série sur l'auteur de 1984

The Real George Orwell

+

http://www.bbc.co.uk/programmes/b01pyz0z/episodes/guide

Mis à jour le 21 décembre :

"You're innocent when you dream" (Auggie Wren's soundtrack)

Let's dream on...

 IT'S A WONDERFUL LIFE BY FRANK CAPRA  ( BUY THE DVD)

souhaitons que le projet de suite du film n'aboutisse jamais!

AUGGIE WREN'S CHRISTMAS STORY (SMOKE) PAUL AUSTER

read the short story and listen to the author reading his story on NPR

You can also find it in (New?) Pick and Choose Terminale

la 2ème vidéo : Reprendre à partir  de  5'12 

Faire raconter l'histoire à partir des images !

The Gift of the Magi à partir de 26'32 (d'après O ' HENRY)

short story here

THE BBC GIVES US OTHER IDEAS :  10 great but  overlooked Christmas movies

Contes de Noël  librivox et autres ici :

http://www.youtube.com/watch?v=K_ThrUqsRH0

Work on the artcle in your textbook : New Bridges 1ère.

The Cannes Film Festival  : click below for the English version!

will open with

The Great Gatsby

here : more about The Great Gatsby in Cannes

 Trailer here :

 Click on the cover to learn about the novel : Great resources!

Read the press kit about adapting the novel for the screen.

watch  60second Recap :  several recaps about the novel

(videos)

http://www.60secondrecap.com/search/?q=the+great+gatsby&searchButton=

Click here to read the novel : The Great Gatsby

The great gatsby : symbols and motifs : here

Unforgettable Robert Rredford and Mia Ffarrow in The Great gatsby (1974) : watch trailer and even CLIPS !

http://www.youtube.com/watch?feature=player_detailpage&v=1MstmidhHNQ

One I really love  : Rich girls don't marry poor boys

http://www.youtube.com/watch?v=DiNE5iYBuHA&feature=player_detailpage

Here is the passage from the novel; The story isn't told by Daisy to Jay, but Jordan, one of Daisy's friends,  tells it to the narrator. Compare with the clip!

here : End of chapter 4

The closing lines  of  F. Scott Fitzgerald's novel  :

On the last night, with my trunk packed and my car sold to the grocer, I went over and looked at that huge incoherent failure of a house once more. On the white steps an obscene word, scrawled by some boy with a piece of brick, stood out clearly in the moonlight, and I erased it, drawing my shoe raspingly along the stone. Then I wandered down to the beach and sprawled out on the sand.

Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.

And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning ——

So we beat on, boats against the current, borne back ceaselessly into the past.

The  last page of  Gatsby in Scott Fitzgerald's handwriting

Bill Nack reciting the closing lines of the novel , some of the finest lines in American literature

http://www.youtube.com/watch?feature=player_embedded&v=uXpr72lgm58

An iconic painting of the 1920's by Gerald Murphy, who was a good friend of F.Scott Fitzgerald's.

Cocktail by Gerald Murphy (1926) ( one of Fitzgerald's friends)

Listen to a comment

Listen !

East Egg vs West Egg

East Egg vsWest Egg

The New Yorker about the film

The Paris Review, another article

here

here

here

here

etc...........here

THE ROARING TWENTIES

On PBS

5th grade students tell you about the Roaring Twenties!

BrainPOP _ Roaring '20s

Play the game !

You will be a man or a woman living in the roaring Twenties : see if you can survive !

http://www.mccord-museum.qc.ca/en/keys/games/18

Painting by Gerald Murphy : Gerald Murphy and his wife Sarah.

FOR TEACHERS :

sur le site de Michelle Henry, Rescol 2 : a guide to the Roaring 20's

http://www.henry4school.fr/feb12P1.htm

Mais il y a encore plus sur cette époque sur sa page PROHIBITION ! With great webquests

http://www.michellehenry.fr/prohibition.htm

The new York Times offers lesson plans  and activities for students

teaching-the-great-gatsby-with-the-new-york-times1

Here is the updated version I had not seen !

teaching-the-great-gatsby-with-the-new-york-times-2

TOUT UN DOSSIER ICI /

http://langues.ac-dijon.fr/spip.php?article2291